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- Published by - Ian Carruthers
- Info: Husband, IT Honcho, Green fingered DIYer and Fixer Upper, Cyclist, Kitchen Marvel and Personal Chef to my Wife!
casts Miranda Otto
User Ratings 4,8 / 10 Stars
Directed by Nat Faxon
Release date 2020
countries USA
genre Drama
Absolutely brilliant footage.
Movies | ‘Downhill’ Review: A Small Disaster in the Snow Will Ferrell and Julia Louis-Dreyfus star in this timid remake of a dark Swedish vacation comedy. Credit... Jaap Buitendijk/20th Century Fox Downhill Directed by Nat Faxon, Jim Rash Comedy, Drama R 1h 26m “Downhill” is a vacation-gone-wrong comedy that lives up to its ill-advised title. It stars Julia Louis-Dreyfus and Will Ferrell as a couple on an Alpine ski trip, which is not the worst premise. They bicker and blunder within the parameters of their familiar comic personas, and you almost believe that their characters (Billie and Pete) could actually be married. He is a needy, amiable, slightly hysterical doofus. She is impatient and anxious. Their twin preadolescent sons (Julian Grey and Ammon Ford) barely have personalities at all, but as the family arrives in Austria it seems possible that the audience will have a good time even if the characters don’t. But it doesn’t work out that way. “Downhill, ” directed by Nat Faxon and Jim Rash (whose previous vacation comedy was “The Way, Way Back”), is a remake of “Force Majeure, ” a 2014 Swedish film directed by Ruben Ostlund. Comparing the two is a dispiriting exercise. Ostlund’s version is a sharp, relentless satire of masculine insecurity and middle-class complacency, threading genuine discomfort among improbable laughs. The humor in “Downhill” is broader, which is fine in itself, but the movie is also sloppy, timid and unsure of its tone. It isn’t disturbing, just annoying. Early in their stay at a luxurious mountain resort — after they meet the sexed-up Euro-trash-caricature concierge (Miranda Otto) but before the arrival of the hashtag-crazy millennial-caricature couple (Zach Woods and Zoe Chao) — Pete and Billie experience something that threatens to destabilize their relationship. A “controlled avalanche” set off by the resort’s management looks as if it’s going out of control and heading for the outdoor restaurant where the family is about to have lunch. Pete flees in a panic, grabbing his phone and leaving Billie with the terrified children. Later, he denies and downplays his cowardice, while Billie seethes. This is pretty much exactly what happens in “Force Majeure. ” The idea that a split-second, unthinking action like Pete’s could reveal a flaw in his character and a schism in his marriage is potent enough to sustain a second movie. But Faxon and Rash, who wrote the screenplay with Jesse Armstrong, lack the nerve or the imagination to make the idea their own, or to make it work with a cast of American comic performers. There are some jokey parts, some weepy bits, a sexy moment and a few fine displays of anger from Louis-Dreyfus, but they’re all just thrown together like salted nuts and cheap candies in a snack mix. Like too many American movie comedies these days, “Downhill” seems afraid of its own shadow. The swearing and the drug references can’t disguise a paralyzing panic — about parenthood, sexual politics, family dynamics, work-life balance or anything else that might actually be interesting or risky. The film isn’t sure whether to take Pete’s side or Billie’s, or if it should really take a side at all, and so it hovers like an insincere friend, nodding and chuckling and refusing to judge. The result is a small disaster. Not a completely terrible movie — mostly thanks to Ferrell and Louis-Dreyfus — but one that strands its stars in situations that are at once impossible and insufficiently challenging. “Downhill” gets way out over its skis, even though it never leaves the bunny slope. Downhill Rated R. Some salty talk. Running time: 1 hour 26 minutes.
Me dar uma bake pf. Critics Consensus Fittingly named for a remake whose charms are dwarfed by its superior source material, Downhill is frequently -- and frustratingly -- less than the sum of its talented parts. 38% TOMATOMETER Total Count: 182 13% Audience Score Verified Ratings: 2, 340 Downhill Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Downhill Videos Photos Movie Info Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Inspired by the motion picture FORCE MAJEURE by Ruben Östlund Rating: R (for language and some sexual material) Genre: Directed By: Written By: In Theaters: Feb 14, 2020 limited Runtime: 85 minutes Studio: Fox Searchlight Pictures Cast News & Interviews for Downhill Critic Reviews for Downhill Audience Reviews for Downhill Downhill Quotes Movie & TV guides.
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Wish I was there, seemed to be a right laugh
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Lavina angler. Lavina tandon. Better ytber <3. Lavina hotel jahorina. Lavina vác. Lavina rose. Lavina video. Lavina tatry. Koray tr95 sanırım özlememişim demek istedin. Eita vídeo top mano ✌️. PROXIMO VIDEO : FUI DE CHARRETE PARA PRAIA. Kkkk. Lavina concrete grinders. Lavinia dock. W hen it was announced in 2018 that the critically adored Swedish comedy Force Majeure would be remade by Fox, the overwhelming response from anyone who had seen the original was one of quizzical exhaustion. Why just four years after it won the Un Certain Regard jury prize at Cannes do we need to see a more “palatable” English-speaking remix? And is this still where we’re at as an industry and a culture that an arguably perfect film needs to be retouched just because it’s afflicted with subtitles? There was also something strangely dated about the news, the sort of quickie remake that seems to mercifully happen less these days, a slowing trend that’s the result of a string of flops as well as a wider embrace and respect of international cinema. But what kept Downhill on many a radar regardless was an undeniably impressive roster of talent. Will Ferrell and Julia Louis-Dreyfus (making a rare big-screen appearance) would play the leads. Peep Show and Succession’s Jesse Armstrong would co-write the script. And, most importantly, the film would have the blessing of the original’s writer-director Ruben Östlund. Might there be a reason for retelling this story in a different language that’s bigger than “just because”? The story of both films hinges on a devastating moment of panic and the emotional wreckage it then leaves. Pete (Ferrell) and Billie (Louis-Dreyfus) have taken their sons on a family ski trip to the Alps, mistakenly at a location that’s more suited to those wishing to party than parent. During a lunch outside one day, a controlled avalanche nearby thrusts a cloud of snow their way and fearing the worst, Pete grabs his phone and leaves his family. He returns to find them safe but his kneejerk reaction creates a rapidly expanding crack in his relationship. What remains potent from original to remake is the unease of the premise, the uncomfortable questions it invites into a seemingly sturdy marriage, the sort of mistake that’s so instinctive that it’s impossible to explain away. In the moment, he chose himself, and his phone, over his loved ones and there’s no form of apology that can provide him any cover. But there’s something just a few degrees off about Downhill, a niggling sense that not only was the decision to reheat a recent, universally acclaimed film unnecessary but that the decisions being made by Armstrong along with writer-director team Nat Faxon and Jim Rash are often rather misjudged. There’s a wrestle going on throughout the film’s brief 85-minute running time between a crowd-pleasing studio comedy and something more specific and low-key and it becomes progressively difficult to know how best to consume what we’re being fed. The casting of Ferrell and Louis-Dreyfus, two performers more typically associated with lighter fare, carries with it certain expectations and while Louis-Dreyfus fares well with the smaller moments, Ferrell doesn’t quite convince with a performance that’s forever threatening to break out into his more familiar showboat shtick. There’s a lived-in chemistry that’s missing from the pairing and the film’s great many awkward moments between them don’t feel quite as cutting or as uncomfortable as they should. It’s a dark comedy that feels too light. There’s also a distracting outsized comic performance from Miranda Otto playing a sex-crazed Austrian who would feel more at home in a Eurotrip sequel than a considered study of marital discord. She’s just another mismatched element in a film filled with them, each clanging against the other. There are some brief insights along the way, including a potentially knotty examination of how fractions within a family can prove alienating but the film’s commentary is largely surface-level. An attempt to contrast the pair with a younger couple is similarly superficial with lazy culture clash jokes mostly involving their use of hashtags. The slightness of the plot gave room for the characters to breathe in Force Majeure but when transported to a broader, slicker canvas, it feels somehow incomplete. Louis-Dreyfus, one of the best and most empathetic comic actors working today, is easily the standout but there’s never quite enough for her to do or say, at least not enough to warrant her alleged five-year mission to make it. Her last film was 2013’s Enough Said, Nicole Holofcener’s wonderful, humane, funny romantic comedy which gifted her with a living, breathing character who added depth to the film’s sitcom premise but her appearance in Downhill just caused me to crave more for her, something with a trickier edge perhaps, something that feels less of a given that she can pull off without breaking a sweat. I’d struggle on the spot to highlight one particular scene where she gets a moment to truly shine but then that’s a problem with the film as a whole. It doesn’t have the stickiness of the original, it’s a smooth assembly job without an edge, an agreeable enough extended episode of a show you half-watch but nothing more. There’s nothing exactly catastrophic here but what no one involved in the film manages to do is provide adequate evidence for why this needed to exist in the first place. Ostlund should reconsider his blessing. Downhill is showing at the Sundance film festival and will be released in the US on 14 February and in the UK on 28 February.
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Downhill Mountain Bikes |.
Best one yet.
Look up downhill in Wiktionary, the free dictionary.
Downhill may refer to:
Arts and entertainment [ edit]
Downhill (1927 film), a British film by Alfred Hitchcock
Downhill (2014 film), a British comedy directed by James Rouse
Downhill (2016 film), a Chilean thriller directed by Patricio Valladares
Downhill (2020 film), an American comedy drama film directed by Nat Faxon and Jim Rash
"Downhill" ( Kim Possible), an episode in the Disney TV series Kim Possible
The Downhill, a 1961 Greek drama film
Downhill (video game), a Commodore VIC-20 game
Places [ edit]
Downhill (beach), a beach in County Londonderry, Northern Ireland
Downhill, Cornwall, a hamlet in the parish of St Eval, Cornwall, England
Downhill, County Londonderry, a village and townland in Northern Ireland
Downhill, Sunderland, a suburb of the City of Sunderland, Tyne and Wear, England
Downhill, an area of Lincoln, England
Sport [ edit]
Downhill skiing, the sport of sliding down snow-covered hills on skis with fixed-heel bindings
Downhill (ski competition), a specific kind of Alpine skiing
Downhill mountain biking, a genre of mountain biking practiced on steep, rough terrain
See also [ edit]
All pages with titles containing downhill
Down (disambiguation)
Hill (disambiguation)
Uphill (disambiguation).
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